4C -
Medieval |
Lonnie
Colson.com - Way more than you ever wanted to know about me |
Fall
2008 Edition |
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Arming
doublet and woolen hose by Historic Enterprises. |
| Start with good
foundation |
The
arming doublet is a vital component in every man-at-arm's
inventory. Without it, he would be unable to properly secure
most of the pieces of his harness. The arming doublet must
be fairly close fitting and durable while not hindering the
movement of the arms. A mail standard, or collar,
and voiders,
or gussets of mail under the arm, are often worn though not
visible in the above photographs. Likewise, a mail skirt
would be worn around the waist to protect the groin.
The boiled woolen hose are attached to the bottom of
the doublet with points, or cords of stout fabric
or twine. The points keep the leggins from sliding down as
belt loops will not be invented for centuries to come. The
hose fit tight to the legs but stretch easily to allow ease
of movement. Some
manuscripts also describe men-at-arms using strips of blanket
tied around the knees for comfort padding.
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Greaves
are buckled onto the lower legs. |
| Start at the
feet and work up |
As
the plates of armour are meant to overlap one another like
shingles, the harness is donned from the bottom upwards.
Starting at the feet, a page or valet would assist his knight
or man-at-arms in putting on his harness. The feet, or sabatons,
would normally go first if the knight were to be mounted.
Sabatons are not always worn when fighting on foot as the
long pointed toes can cause one to trip.
Greaves, or lower legs, completely envelop
the shins and calves from the ankles to just below the knees. The
front and back portions are hinged on the outside and buckled
at the top and bottom on the inside of the leg. The straps
are located on the inside of the leg to provide the most
protection from an enemy's cuts and thrusts. A sliced strap
could immobilze the knight. The lower flange is curved over
the foot, and sabaton if
worn, as well as the heel to allow a full range of motion.
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Cuisse,
or upper leg plate, is attached with points to doublet. |
| Continue with
upper
legs |
The cuisse (quîss),
or upper leg, and poleyn (po-leen), or knee cop,
are joined by lames and riveted into one singular, jointed
piece. The lower lames of the poleyn overlap the upper edge
of the greave on each leg. A hinged side plate on the outer
edge of the main plate of the cuisse folds around the thigh
to protect the side and rear of the upper leg.
Leathers located on the top edge of the cuisse have
holes that allow them to be laced to the lower portion of
the arming doublet ensuring that the legs do not slide down
when running or jumping.
The cuisse on the Warwick harness is actually comprised
of several overlapping plates riveted together in
a Gothic design. While it appears to be merely for aesthetic
purposes, it actually provides addional reinforcement
to the thigh, a prime target for opponents whether mounted
or on foot.
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Breast
and plackart together are slid on and buckled at shoulders. |
| Breast and plackart |
The
front and back of the plackart, abdomen and lower
back reinforcement, is buckled to the breast plate and back
plate. The torso is hinged on the left side and strapped
on the right side. This is because the left side is generally
more toward the opponent as the sword is wielded in the right
hand. The entire torso is usually donned in one complete
motion and then closed and buckled down the right side.
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Straps
are all located on the right side of the torso. |
| Straps are buckled
on right |
There
is a sliding rivet and strap that hold the breast plate shut
while also keeping it from closing further from a heavy blow
and crushing the wearer. There are also straps on the plackart
as well as the lames of the fauld, or articulated
skirt. The tassets, additional plates hanging down
over the fronts of the thighs, are attached by straps to
the lower lames of the fauld. Likewise, the culet,
rear of the fauld, has reinforcing plates attached.
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Articulated
arms are attached to the upper sleeve of the doublet. |
| Upper cannon
of vambrace |
The
arms on Italian harnesses are riveted together unlike their
Gothic counterparts which keep the elbow, upper and lower
cannons of the vambrace, or arm plates, separate. The upper
arm has leathers similar to the cuisse that is laced to the
sleeve of the doublet. The counter (coo-ter),
right elbow, and guard of the vambrace, oversized
left elbow, are riveted to the upper and lower cannons with
lames for a full range of movement.
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Pauldron
is attached by points at the shoulder and buckled under. |
| Pauldron and
gardbrace |
The
pauldron, shoulder protection, is attached to the
right shoulder by points and then buckled under the arm pit.
The gardbrace, reinforced pauldron on the left
shoulder, is similarly attached to the doublet with points
and buckled under the corresponding arm pit. The loose attachments
allow the wearer to raise his arms with as little restriction
as possible. The exposed area under each arm would normally
be protected by voiders.
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An
armet helmet and sharp sword complete the knight's gear. |
| Other accoutrements |
The
sword is the iconic symbol of the man-at-arms and knight
as much as the 'shining armour'. The longsword belt in the
photograph is of the 3-point variety that holds the sword
up and forward for ease of drawing by a man in armour--not
as easy as you might think.
The helmet is a sparrowbeak armet, named for
its short, beak-like visor. It is actually hinged on the
sides to allow it to easily be donned.
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With
visor down, vision is limited but protection is maximized. |
| Ready to take
the field |
With
armet in place and visor down, the man-at-arms is ready to
enter into combat. The narrow eye slit severely restricts
vision, so the visor is only lowered when danger is immenent.
The helmet can be quite stifling as well. There are many
accounts of knights being shot by arrows when they raised
their visors to catch their breath or take a drink despite
being in the rearward ranks.
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| A note about accuracy: Although the photographs do not show
an assistant, I did not don the armour alone. It is actually
impossible for a man to put on a full plate harness alone. With
the exception of the legs, the buckles on the upper body are
strategically placed to be difficult for someone to target in
a duel and therefore make it virtually impossible for the wearer
to close many of his own straps. In the near future I plan to
solicit the assistance of a person in period garb to help me
don the armour in another session of photographs. I plan to have
the mail standard, voiders and skirt available as well. |
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