Among practitioners of historical reenactment, there seems to be a never-ending experimentation involved with wearing maille under armour. The wearer's tastes evolve; their style of armour changes; the rules governing simulated combat are updated; issues such as comfort or weight become more important with age and experience. Perhaps it is entirely a modern phenomenon, as the majority of the aforementioned are somewhat trivial, while self-preservation on the battlefield was likely the most important consideration of the medieval ...
It started innocently enough. I bought a nice riveted mail standard, or collar, made from 6mm blackened mild steel rings from Mark Hale at Cap-a-pie. It came without a liner or method of closure. I commissioned a hinge clasp designed by Josh Davis of Davis Reproductions, based on period artwork and surviving examples, and stitched my own lining from a couple layers of linen and topped it with red leather. However, it still needed something to set it apart, so I decided to add a couple rows of brass rings. It was a very ...
I was invited by Steve Hemphill to participate in Lysts on the Lake 2019 located in the "Village of Castleton" on the beautiful shores of Lake Austin. Produced by a'Plaisance, Ltd., Lysts on the Lake is billed as the largest competitive jousting tournament in the world, hosting more than a dozen competitors each year. The "Lone Star Open Joust" is also one of the few events open to any equestrian who meet the qualifications. The tournament consists of three mounted events: le Chasse, or "the hunt"; Melée a'Cheval, or "combat on horse"; and Joust a'Plaisance, or ...
What kind of armour would an English man-at-arms have worn about the time of the first battle of St. Albans in 1455? While question may sound simple and straight forward, the answer took more than 3 years to fully realize. The greatest obstacle was the fact that almost no armour of verifiably English manufacture has survived from the fifteenth century. Who better to ask than the foremost experts on the subject: Dr. Tobias Capwell, curator of arms and armour at the Wallace Collection? Dr. Capwell has spent years studying ...
Dirk H. Breiding of the Department of Arms and Armor at the Metropolitan Museum of Art expertly explains in the space of a few brief paragraphs the national and regional armor styles in his essay Fashion in European Armor, 1400-1500. The following excerpts are taken from article: At the beginning of this period, by about 1420, the development of full plate armor--a defense enclosing almost the entire body with a system of steel plates articulated by rivets and leather straps--was complete. Regional and national fashions ...
Regardless to how the crossbow was viewed on the battlefield, it was ever a high-status hunting weapon. Unlike the longbow, a crossbow could be kept fully spanned for a considerable amount of time. The crossbows of noblemen sometimes had a veneer of intricately-carved stag horn and/or elaborate patterned inlays. I recently commissioned a fifteenth-century hunting crossbow from Danilo "Tod" Todeschini of Tod's Workshop. Tod's expert craftsmanship is featured extensively in Mike Loades's bookThe Crossbow.