Historical Reenactment
A lifelong Medieval history enthusiast, I enjoy the knightly pursuits of jousting, hunting, and sword fighting.

It started innocently enough. I bought a nice riveted mail standard, or collar, made from 6mm blackened mild steel rings from Mark Hale at Cap-a-pie. It came without a liner or method of closure. I commissioned a hinge clasp designed by Josh Davis of Davis Reproductions, based on period artwork and surviving examples, and stitched my own lining from a couple layers of linen and topped it with red leather. However, it still needed something to set it apart, so I decided to add a couple rows of brass rings. It was a very ...

What kind of armour would an English man-at-arms have worn about the time of the first battle of St. Albans in 1455? While question may sound simple and straight forward, the answer took more than 3 years to fully realize. The greatest obstacle was the fact that almost no armour of verifiably English manufacture has survived from the fifteenth century. I had to rely on one of the foremost experts on the subject: Dr. Tobias Capwell, curator of arms and armour at the Wallace Collection. Dr. Capwell has spent years studying monumental ...

I currently wear a pair of tailored mail sleeves created by Nick Checksfield. Nick has been making and restoring mail since 1992. He is currently an educator at Windsor Castle but has worked in the past as a mail restorer at the Wallace Collection. Nick has also been seen as a mail subject expert in documentaries such as "Going Medieval" with Mike Loades. Nick has handled the originals in the Royal Armouries Collection at the Tower of London. They originals are constructed of 7mm riveted rings and have broad gussets ...

Dirk H. Breiding of the Department of Arms and Armor at the Metropolitan Museum of Art expertly explains in the space of a few brief paragraphs the national and regional armor styles in his essay Fashion in European Armor, 1400-1500. The following excerpts are taken from article: At the beginning of this period, by about 1420, the development of full plate armor--a defense enclosing almost the entire body with a system of steel plates articulated by rivets and leather straps--was complete. Regional and national fashions in civilian ...

Regardless to how the crossbow was viewed on the battlefield, it was ever a high-status hunting weapon. Unlike the longbow, a crossbow could be kept fully spanned for a considerable amount of time. The crossbows of noblemen sometimes had a veneer of intricately-carved stag horn and/or elaborate patterned inlays. I recently commissioned a fifteenth-century hunting crossbow from Danilo "Tod" Todeschini of Tod's Workshop. Tod's expert craftsmanship is featured extensively in Mike Loades's bookThe Crossbow.

Although still several months away, I have already begun making preparations to attend the Days of Knights event in Oak Grove, Kentucky. I had an incredible time last year and learned quite a lot from long-time participants such as Ian LaSpina of Knyght Errant and Tom Biliter of Historically Patterned Mail. The Days of Knights is definitely one of the most anticipated events on my calendar. I intend to once again take part in the historical encampment as well as the Deed of Arms. Last year I set my pavilion up next to the renown La Belle Compagnie ...

Every knight must have his own unique armorial to differentiate himself in the lists. The following is my assumed armorial achievement:
Arms: Gules, on a Chevron Or three cross crosslets fitchy of the first, on a chief of the second a Bear Sable passant langued and amred of the first.
Crest: A demi-bear Sable and langued gules holding between its forepaws a sword.
Motto: leges juraque servo. I service justice and the law

My Medieval Obsession